“Oh, why?--Of course you’ll be challenged! That was young Lieutenant Moloftsoff. I know him, or rather of him; he won’t pass an insult. He will take no notice of Rogojin and myself, and, therefore, you are the only one left to account for. You’ll have to pay the piper, prince. He has been asking about you, and undoubtedly his friend will call on you tomorrow--perhaps he is at your house already. If you would do me the honour to have me for a second, prince, I should be happy. That’s why I have been looking for you now.”
“Nothing--of course! That’s the best answer. Is it the case that you are going to live in his house?” “Gracious heavens!” exclaimed Lizabetha Prokofievna. The prince started. The general stiffened in his chair; the sisters frowned.
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
He only stayed at his country seat a few days on this occasion, but he had time to make his arrangements. Great changes took place in the child’s education; a good governess was engaged, a Swiss lady of experience and culture. For four years this lady resided in the house with little Nastia, and then the education was considered complete. The governess took her departure, and another lady came down to fetch Nastia, by Totski’s instructions. The child was now transported to another of Totski’s estates in a distant part of the country. Here she found a delightful little house, just built, and prepared for her reception with great care and taste; and here she took up her abode together with the lady who had accompanied her from her old home. In the house there were two experienced maids, musical instruments of all sorts, a charming “young lady’s library,” pictures, paint-boxes, a lap-dog, and everything to make life agreeable. Within a fortnight Totski himself arrived, and from that time he appeared to have taken a great fancy to this part of the world and came down each summer, staying two and three months at a time. So passed four years peacefully and happily, in charming surroundings.
This last fact could, of course, reflect nothing but credit upon the general; and yet, though unquestionably a sagacious man, he had his own little weaknesses--very excusable ones,--one of which was a dislike to any allusion to the above circumstance. He was undoubtedly clever. For instance, he made a point of never asserting himself when he would gain more by keeping in the background; and in consequence many exalted personages valued him principally for his humility and simplicity, and because “he knew his place.” And yet if these good people could only have had a peep into the mind of this excellent fellow who “knew his place” so well! The fact is that, in spite of his knowledge of the world and his really remarkable abilities, he always liked to appear to be carrying out other people’s ideas rather than his own. And also, his luck seldom failed him, even at cards, for which he had a passion that he did not attempt to conceal. He played for high stakes, and moved, altogether, in very varied society.
At this there was a dreadful noise; Lebedeff danced about in his excitement; Ferdishenko prepared to go for the police; Gania frantically insisted that it was all nonsense, “for nobody was going to shoot themselves.” Evgenie Pavlovitch said nothing.
“If you insist: but, judge for yourself, can I go, ought I to go?”
“But I really don’t know which of my actions is the worst,” said the lively actress.

“Don’t come with me,” she cried, “_Au revoir_, till the evening--do you hear? _Au revoir!_”

“Four years! and I was in the same place nearly all the time,--in one village.”
The prince reflected a little, but very soon he replied, with absolute conviction in his tone, though he still spoke somewhat shyly and timidly:

They sat now in a row facing the prince, and frowned, and played with their caps. All appeared ready to speak, and yet all were silent; the defiant expression on their faces seemed to say, “No, sir, you don’t take us in!” It could be felt that the first word spoken by anyone present would bring a torrent of speech from the whole deputation.

“Why, Osterman--the diplomatist. Peter’s Osterman,” muttered Hippolyte, confused. There was a moment’s pause of mutual confusion.
Lizabetha Prokofievna stood like a stone.
“Reject her! I should think not!” said the general with annoyance, and apparently not in the least anxious to conceal it. “Why, my dear fellow, it’s not a question of your rejecting her, it is whether you are prepared to receive her consent joyfully, and with proper satisfaction. How are things going on at home?”
“She’s a real princess! I’d sell my soul for such a princess as that!”
“I did not ask about Gania out of curiosity,” said the elder, at last. “I wish to know how much you know about him, because he said just now that we need not stand on ceremony with you. What, exactly, does that mean?”

“This is not my own fantastical opinion--many people have thought the same; but I feel it so deeply that I’ll tell you what I think. I believe that to execute a man for murder is to punish him immeasurably more dreadfully than is equivalent to his crime. A murder by sentence is far more dreadful than a murder committed by a criminal. The man who is attacked by robbers at night, in a dark wood, or anywhere, undoubtedly hopes and hopes that he may yet escape until the very moment of his death. There are plenty of instances of a man running away, or imploring for mercy--at all events hoping on in some degree--even after his throat was cut. But in the case of an execution, that last hope--having which it is so immeasurably less dreadful to die,--is taken away from the wretch and _certainty_ substituted in its place! There is his sentence, and with it that terrible certainty that he cannot possibly escape death--which, I consider, must be the most dreadful anguish in the world. You may place a soldier before a cannon’s mouth in battle, and fire upon him--and he will still hope. But read to that same soldier his death-sentence, and he will either go mad or burst into tears. Who dares to say that any man can suffer this without going mad? No, no! it is an abuse, a shame, it is unnecessary--why should such a thing exist? Doubtless there may be men who have been sentenced, who have suffered this mental anguish for a while and then have been reprieved; perhaps such men may have been able to relate their feelings afterwards. Our Lord Christ spoke of this anguish and dread. No! no! no! No man should be treated so, no man, no man!”

“And you are _not_, I presume, eh?” “You’re right, clerk,” said the latter, “you’re right, tipsy spirit--you’re right!--Nastasia Philipovna,” he added, looking at her like some lunatic, harmless generally, but suddenly wound up to a pitch of audacity, “here are eighteen thousand roubles, and--and you shall have more--.” Here he threw a packet of bank-notes tied up in white paper, on the table before her, not daring to say all he wished to say.
“Cruel?” sobbed Aglaya. “Yes, I _am_ cruel, and worthless, and spoiled--tell father so,--oh, here he is--I forgot Father, listen!” She laughed through her tears.
“You don’t believe it?” said the invalid, with a nervous laugh. “I don’t wonder, but the prince will have no difficulty in believing it; he will not be at all surprised.”

“Kislorodoff told me all this with a sort of exaggerated devil-may-care negligence, and as though he did me great honour by talking to me so, because it showed that he considered me the same sort of exalted Nihilistic being as himself, to whom death was a matter of no consequence whatever, either way.

The prince walked along, musing. He did not like his commission, and disliked the idea of Gania sending a note to Aglaya at all; but when he was two rooms distant from the drawing-room, where they all were, he stopped as though recalling something; went to the window, nearer the light, and began to examine the portrait in his hand.
“That gentleman--Ivan Petrovitch--is a relation of your late friend, Mr. Pavlicheff. You wanted to find some of his relations, did you not?”

“You, you! She has loved you ever since that day, her birthday! Only she thinks she cannot marry you, because it would be the ruin of you. ‘Everybody knows what sort of a woman I am,’ she says. She told me all this herself, to my very face! She’s afraid of disgracing and ruining you, she says, but it doesn’t matter about me. She can marry me all right! Notice how much consideration she shows for me!”

“Oh, of course it’s nothing but humbug!” cried Gania, a little disturbed, however. “It’s all humbug; the young merchant was pleased to indulge in a little innocent recreation! I have heard something of Rogojin!” “No; a bundle--your brother has just gone to the hall for it.” “There is much suffering in this face,” murmured the prince, more as though talking to himself than answering the question.

“Take care, don’t commit yourself for a whole lifetime.”

“Oh, nonsense, nonsense,” said the general, with decision. “What extraordinary ideas you have, Gania! As if she would hint; that’s not her way at all. Besides, what could _you_ give her, without having thousands at your disposal? You might have given her your portrait, however. Has she ever asked you for it?”
“What? Gavrila Ardalionovitch? Oh no; he belongs to one of the companies. Look here, at all events put your bundle down, here.”
“Why do you tease him?” cried the prince, suddenly.

And as to her face, could it inspire nothing but passion? Could her face inspire passion at all now? Oh, it inspired suffering, grief, overwhelming grief of the soul! A poignant, agonizing memory swept over the prince’s heart.

Lebedeff began to grin again, rubbed his hands, sneezed, but spoke not a word in reply.

“But after all is said, we are mixed up in it. Your daughters are mixed up in it, Ivan Fedorovitch; young ladies in society, young ladies at an age to be married; they were present, they heard everything there was to hear. They were mixed up with that other scene, too, with those dreadful youths. You must be pleased to remember they heard it all. I cannot forgive that wretched prince. I never shall forgive him! And why, if you please, has Aglaya had an attack of nerves for these last three days? Why has she all but quarrelled with her sisters, even with Alexandra--whom she respects so much that she always kisses her hands as though she were her mother? What are all these riddles of hers that we have to guess? What has Gavrila Ardalionovitch to do with it? Why did she take upon herself to champion him this morning, and burst into tears over it? Why is there an allusion to that cursed ‘poor knight’ in the anonymous letter? And why did I rush off to him just now like a lunatic, and drag him back here? I do believe I’ve gone mad at last. What on earth have I done now? To talk to a young man about my daughter’s secrets--and secrets having to do with himself, too! Thank goodness, he’s an idiot, and a friend of the house! Surely Aglaya hasn’t fallen in love with such a gaby! What an idea! Pfu! we ought all to be put under glass cases--myself first of all--and be shown off as curiosities, at ten copecks a peep!”

His attack of yesterday had been a slight one. Excepting some little heaviness in the head and pain in the limbs, he did not feel any particular effects. His brain worked all right, though his soul was heavy within him.
“I remember--I remember it all!” he cried. “I was captain then. You were such a lovely little thing--Nina Alexandrovna!--Gania, listen! I was received then by General Epanchin.”
On the particular morning on which our story has opened, the family had assembled in the dining-room, and were waiting the general’s appearance, the latter having promised to come this day. If he had been one moment late, he would have been sent for at once; but he turned up punctually.

The prince took a droshky. It struck him as he drove on that he ought to have begun by coming here, since it was most improbable that Rogojin should have taken Nastasia to his own house last night. He remembered that the porter said she very rarely came at all, so that it was still less likely that she would have gone there so late at night.

“You have made a mistake, general,” said he. “The name on the door is Koulakoff, and you were going to see General Sokolovitch.”

“What a power!” cried Adelaida suddenly, as she earnestly examined the portrait over her sister’s shoulder.
“Had we not better allow our hostess to retire?” asked Totski of the general.
“Afraid! Then you had some grounds for supposing he might be the culprit?” said Lebedeff, frowning.