“No, I am not lying.”

“Especially as he asked himself,” said Ferdishenko.

“Yes, he’s boasting like a drunkard,” added Nastasia, as though with the sole intention of goading him.

“What do you think about it?” said the general in a low voice to Totski. “Is she mad? I mean mad in the medical sense of the word .... eh?”

“Don’t be cross, Daria Alexeyevna!” laughed Nastasia. “I was not angry when I spoke; I wasn’t reproaching Gania. I don’t know how it was that I ever could have indulged the whim of entering an honest family like his. I saw his mother--and kissed her hand, too. I came and stirred up all that fuss, Gania, this afternoon, on purpose to see how much you could swallow--you surprised me, my friend--you did, indeed. Surely you could not marry a woman who accepts pearls like those you knew the general was going to give me, on the very eve of her marriage? And Rogojin! Why, in your own house and before your own brother and sister, he bargained with me! Yet you could come here and expect to be betrothed to me before you left the house! You almost brought your sister, too. Surely what Rogojin said about you is not really true: that you would crawl all the way to the other end of the town, on hands and knees, for three roubles?”
“Excuse me,” said Lebedeff, “but did you observe the young gentleman’s style? ‘I’ll go and blow my brains out in the park,’ says he, ‘so as not to disturb anyone.’ He thinks he won’t disturb anybody if he goes three yards away, into the park, and blows his brains out there.” “Why? Do you hate me so much as all that?”

“Who could have told her?”

Not only was there no trace of her former irony, of her old hatred and enmity, and of that dreadful laughter, the very recollection of which sent a cold chill down Totski’s back to this very day; but she seemed charmed and really glad to have the opportunity of talking seriously with him for once in a way. She confessed that she had long wished to have a frank and free conversation and to ask for friendly advice, but that pride had hitherto prevented her; now, however, that the ice was broken, nothing could be more welcome to her than this opportunity.
Hippolyte gazed eagerly at the latter, and mused for a few moments.
This last item of news, which disturbed Lizabetha Prokofievna more than anything else, was perfectly true. On leaving Nastasia’s, Aglaya had felt that she would rather die than face her people, and had therefore gone straight to Nina Alexandrovna’s. On receiving the news, Lizabetha and her daughters and the general all rushed off to Aglaya, followed by Prince Lef Nicolaievitch--undeterred by his recent dismissal; but through Varia he was refused a sight of Aglaya here also. The end of the episode was that when Aglaya saw her mother and sisters crying over her and not uttering a word of reproach, she had flung herself into their arms and gone straight home with them.
Of course much was said that could not be determined absolutely. For instance, it was reported that the poor girl had so loved her future husband that she had followed him to the house of the other woman, the day after she had been thrown over; others said that he had insisted on her coming, himself, in order to shame and insult her by his taunts and Nihilistic confessions when she reached the house. However all these things might be, the public interest in the matter grew daily, especially as it became clear that the scandalous wedding was undoubtedly to take place.

“Oh, what _nonsense!_ You must buy one. French or English are the best, they say. Then take a little powder, about a thimbleful, or perhaps two, and pour it into the barrel. Better put plenty. Then push in a bit of felt (it _must_ be felt, for some reason or other); you can easily get a bit off some old mattress, or off a door; it’s used to keep the cold out. Well, when you have pushed the felt down, put the bullet in; do you hear now? The bullet last and the powder first, not the other way, or the pistol won’t shoot. What are you laughing at? I wish you to buy a pistol and practise every day, and you must learn to hit a mark for _certain_; will you?”

Gania listened attentively, but to his sister’s astonishment he was by no means so impressed by this news (which should, she thought, have been so important to him) as she had expected.
“Did you go before Lizabetha Prokofievna in your present condition?” inquired the prince.
“I’m all right,” said Varia, in a tone that sounded as though she were all wrong.
He was so happy that “it made one feel happy to look at him,” as Aglaya’s sisters expressed it afterwards. He talked, and told stories just as he had done once before, and never since, namely on the very first morning of his acquaintance with the Epanchins, six months ago. Since his return to Petersburg from Moscow, he had been remarkably silent, and had told Prince S. on one occasion, before everyone, that he did not think himself justified in degrading any thought by his unworthy words.
A young fellow entered the ante-room at this moment, with a bundle of papers in his hand. The footman hastened to help him take off his overcoat. The new arrival glanced at the prince out of the corners of his eyes.
“Oh, no--no--I’m all right, I assure you!”
“Listen, prince,” said Gania, as though an idea had just struck him, “I wish to ask you a great favour, and yet I really don’t know--” “No, no, I mean with the ‘explanation,’ especially that part of it where he talks about Providence and a future life. There is a gigantic thought there.”
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
“No, they did not cure me.”
“I never said you were Rogojin’s mistress--you are _not!_” said the prince, in trembling accents.

“So I will,” he whispered hoarsely. “As soon as I get home I will go to bed at once; and I know I shall be dead in a fortnight; Botkine told me so himself last week. That is why I should like to say a few farewell words, if you will let me.”

“Because,” replied Aglaya gravely, “in the poem the knight is described as a man capable of living up to an ideal all his life. That sort of thing is not to be found every day among the men of our times. In the poem it is not stated exactly what the ideal was, but it was evidently some vision, some revelation of pure Beauty, and the knight wore round his neck, instead of a scarf, a rosary. A device--A. N. B.--the meaning of which is not explained, was inscribed on his shield--”

His attack of yesterday had been a slight one. Excepting some little heaviness in the head and pain in the limbs, he did not feel any particular effects. His brain worked all right, though his soul was heavy within him.

“She came up to me and said, ‘Do you know who the Pope of Rome is?’ ‘I’ve heard of him,’ I said. ‘I suppose you’ve read the Universal History, Parfen Semeonovitch, haven’t you?’ she asked. ‘I’ve learned nothing at all,’ I said. ‘Then I’ll lend it to you to read. You must know there was a Roman Pope once, and he was very angry with a certain Emperor; so the Emperor came and neither ate nor drank, but knelt before the Pope’s palace till he should be forgiven. And what sort of vows do you think that Emperor was making during all those days on his knees? Stop, I’ll read it to you!’ Then she read me a lot of verses, where it said that the Emperor spent all the time vowing vengeance against the Pope. ‘You don’t mean to say you don’t approve of the poem, Parfen Semeonovitch,’ she says. ‘All you have read out is perfectly true,’ say I. ‘Aha!’ says she, ‘you admit it’s true, do you? And you are making vows to yourself that if I marry you, you will remind me of all this, and take it out of me.’ ‘I don’t know,’ I say, ‘perhaps I was thinking like that, and perhaps I was not. I’m not thinking of anything just now.’ ‘What are your thoughts, then?’ ‘I’m thinking that when you rise from your chair and go past me, I watch you, and follow you with my eyes; if your dress does but rustle, my heart sinks; if you leave the room, I remember every little word and action, and what your voice sounded like, and what you said. I thought of nothing all last night, but sat here listening to your sleeping breath, and heard you move a little, twice.’ ‘And as for your attack upon me,’ she says, ‘I suppose you never once thought of _that?_’ ‘Perhaps I did think of it, and perhaps not,’ I say. ‘And what if I don’t either forgive you or marry, you?’ ‘I tell you I shall go and drown myself.’ ‘H’m!’ she said, and then relapsed into silence. Then she got angry, and went out. ‘I suppose you’d murder me before you drowned yourself, though!’ she cried as she left the room.

We said at the beginning of our story, that the Epanchins were liked and esteemed by their neighbours. In spite of his humble origin, Ivan Fedorovitch himself was received everywhere with respect. He deserved this, partly on account of his wealth and position, partly because, though limited, he was really a very good fellow. But a certain limitation of mind seems to be an indispensable asset, if not to all public personages, at least to all serious financiers. Added to this, his manner was modest and unassuming; he knew when to be silent, yet never allowed himself to be trampled upon. Also--and this was more important than all--he had the advantage of being under exalted patronage.
“I was not going to express myself so. But how could you so blind her?”
“Yes--I do ask for it!” said the prince, more dead than alive now.
It was clear that he came out with these words quite spontaneously, on the spur of the moment. But his speech was productive of much--for it appeared that all Gania’s rage now overflowed upon the prince. He seized him by the shoulder and gazed with an intensity of loathing and revenge at him, but said nothing--as though his feelings were too strong to permit of words.
“Is he raving?” said the general. “Are we really in a mad-house?”
II.

“Yes, I am invited,” he replied.

But it was difficult, if not impossible, to extract anything from Lebedeff. All the prince could gather was, that the letter had been received very early, and had a request written on the outside that it might be sent on to the address given.

“You don’t answer me; perhaps you think I am very fond of you?” added Hippolyte, as though the words had been drawn from him.
“I declare, this is a lunatic asylum!” cried Lizabetha Prokofievna.
“I’ll tell you what!” cried Rogojin, and his eyes flashed fire. “I can’t understand your yielding her to me like this; I don’t understand it. Have you given up loving her altogether? At first you suffered badly--I know it--I saw it. Besides, why did you come post-haste after us? Out of pity, eh? He, he, he!” His mouth curved in a mocking smile.
“I determined to die at Pavlofsk at sunrise, in the park--so as to make no commotion in the house.

“But if I beg you to make it up?” said Varia.

“‘Perhaps you are exaggerating--if you were to take proper measures perhaps--”
“I tell you, my dear fellow, Aglaya is such an extraordinary, such a self-willed, fantastical little creature, you wouldn’t believe it! Every high quality, every brilliant trait of heart and mind, are to be found in her, and, with it all, so much caprice and mockery, such wild fancies--indeed, a little devil! She has just been laughing at her mother to her very face, and at her sisters, and at Prince S., and everybody--and of course she always laughs at me! You know I love the child--I love her even when she laughs at me, and I believe the wild little creature has a special fondness for me for that very reason. She is fonder of me than any of the others. I dare swear she has had a good laugh at _you_ before now! You were having a quiet talk just now, I observed, after all the thunder and lightning upstairs. She was sitting with you just as though there had been no row at all.”
Totski himself, who had the reputation of being a capital talker, and was usually the life and soul of these entertainments, was as silent as any on this occasion, and sat in a state of, for him, most uncommon perturbation.
“Prince!” she said, “have pity on that poor boy; don’t turn him out today.”

Ivan Petrovitch began to stare at him with some surprise; the dignitary, too, looked at him with considerable attention; Princess Bielokonski glared at him angrily, and compressed her lips. Prince N., Evgenie, Prince S., and the girls, all broke off their own conversations and listened. Aglaya seemed a little startled; as for Lizabetha Prokofievna, her heart sank within her.